The
robe and flag of the messianic pretender Solomon Molcho
The Jewish Museum in Prague is one of the first museums
to have designed a unique ”vitrine safe” for the housing and display
of rare historical items. Part of the permanent exhibition in the Maisel
Synagogue devoted to the earliest history of the Jews in the Czech lands,
this special showcase, which opened to the public in April, gives visitors
the opportunity to see two rare historical exhibits: the robe and flag
of the messianic pretender Solomon Molcho (born c. 1500 in Portugal)
who was burned at the stake in Mantua in 1532. Both relics were once
used by this Kabbalist, religious heretic and devotee of David Reubeni’s
messianic movement. For many years they were housed in Prague’s Pinkas
Synagogue (earliest reference dated 1628), from where they were sent
in a relatively poor state of repair to the Jewish Museum. Although
they were restored several times in the past, it has not (until now)
been possible to display them on a long-term basis. An internal space
in the Maisel Synagogue was therefore set aside and specially designed
under expert supervision so as to meet the Museum’s exacting requirements
for the comprehensive preservation of its collections: security, stable
micro-climate, lighting and protection against UV and IR radiation.
To meet these requirements, it was necessary first of all to install
heating devices with precise round-the-year temperature regulation,
Art-sorp absorption panels for optimum humidity, and special optic cables
with UV and IR filters for the channelling of light. The walls of this
space have been coated with a special paint that provides for a high
degree of light absorption; this facilitates and improves viewing conditions
with low intensity lighting. All heat from light sources is diverted
away from the above space so as not to affect the micro-climatic conditions
inside the exhibition. Thanks to the above solution, these rare artefacts
can now not only be well-preserved but also placed on public display.
Encounters – exhibition of the Israeli-American
painter Benjamin Levy in Prague
In
April and May 2002, an exhibition of drawings, watercolours and gouaches
by the contemporary Israeli-American painter Benjamin Levy, entitled
Encounters was held in the Jewish Museum’s Robert Guttmann Gallery.
Although Levy’s work is not so well-known in the Czech Republic, it
can be seen in many private and public collections throughout the world.
During the last 30 years he has held over 80 one-man shows and has taken
part in over 100 group shows in Israel, the United States and Europe.
The opening of the exhibition on 24 April 2002 was attended not only
by the artist himself but also the Israeli Ambassador to the Czech Republic
Arthur Avnon.
Benjamin Levy was born in Tel Aviv in 1940. He studied
art in Israel under Abraham Yaskil, in Paris at the École de Montparnasse
and in New York at the Pratt Graphic Art Center. After his studies he
returned to Tel Aviv, where he set up a studio and later got married.
In 1965 the Levy family moved to New York , where Benjamin soon achieved
success and recognition. He now lives in New York , Tel Aviv and in
the Ein Hod artistic colony in Israel.
The
work of Benjamin Levy is pervaded with memories of his family. Many
of the figures we see in his paintings stem from family recollections
and stories. He grew up in the colourful environs of the Yemen district
of Jaffa and to this day his paintings are filled with exotic images
from his childhood. He has drawn a great deal of inspiration from his
collection of family photos, many of which were taken before he was
born. His paintings have absorbed a lot of the magic of these old photos,
which is reflected in the odd rigidity of his figures and the dream-like
quality of his set pieces. Figures in Levy’s paintings communicate with
each other and with us through silence in the form of an almost forgotten
language of symbols, which permeates all his paintings. His barely sketched
language of symbols links him to an old artistic tradition which surprisingly
communicates with us in the present. In the mysterious and paradoxical
world of Benjamin Levy, figures from the artist’s life and his subconscious
encounter each other in the space between reality and dreams. They send
out signals which emphasize the unreal and dream-like realm of his paintings
and evoke an atmosphere that recalls the metaphysical works of de Chirico
and Magritte and Chagall. His paintings give us an unexpected sense
of déjá-vu, bringing to mind encounters with our own forgotten past.
Exhibition curator: Dr. Arno Pařík.
Euroclio 2002
An
international conference of history teachers with over 130 participants
from the whole of Europe was held in Prague between 12-17 March 2002.
Lectures and discussions focused mainly on the co-existence of major
population groups with minorities in a historical and contemporary context.
The Jewish Museum in Prague was involved in various activities at this
event. The director of the Museum’s Education and Culture Centre, Dr.
Miloš Pojar, gave a paper on the co-existence of Czechs, Germans and
Jews in the Czech past. The educational programmes of the Centre were
represented by a presentation of the Jewish Wedding workshop under the
supervision of lecturer Veronika Schmiedtová and a presentation on the
theme ”Researchers in the area of Judaism” with lecturer Tereza Foltýnová.
The Lost Neighbours exhibition (see Newsletter 4/2001), together with
an exhibition of the Anne Frank House, was installed for participants
of the conference in the Hotel Pyramida in Prague. On the next day,
the Jewish Museum prepared a tour of all its exhibitions for the participants.
The travelling exhibition Lost Neighbours
The Lost Neighbours exhibition is based on
the project of the same name (see Newsletter 4/2000) and features the
resulting literary and documentary work of high school students. Travelling
around individual regions in Bohemia and Moravia, it brings the general
public close to the lives of people who became Shoah victims. The exhibition
was first presented to the public in November 2001 as part of the Terezín
international conference The Holocaust in Education; in February 2002,
it was installed i
n
the Prague 1 Information Centre. In March 2002, the 8-panel exhibition
was presented to participants of the Euroclio conference of history
teachers, as well as over 500 visitors, mostly from Prague schools,
and teachers involved in the Schola Pragensis event held by Prague City
Hall. The Lost Neighbours exhibition is now being displayed across Czech
regions, along with the Anne Frank Legacy for the Present show. In April
it moved to the Brandýs nad Labem District Museum, together with the
Jewish Holidays and Traditions ex-hibition, which was held in association
with staff from the Jewish Museum in Prague. Both exhibitions were then
featured in the Rear Synagogue in Třebíč. From 11 June 2002 the Lost
Neighbours exhibition has been on view in the Senate of the Czech Parliament.
Two new panels from Ostrava and Lipník nad Bečvou have been included
here and the exhibition is complemented by ceramic works by children
from Lipník on the theme of Jewish monuments in Lipník and its environs.
From 26 July to 11 August 2002, the exhi-bition will become part of
an event for young people entitled Holidays in Telč, where it will be
accompanied by concerts of Jewish music.
In addition, an exhibition comprising copies of the
original eight display panels travelled to the areas where the individual
works were made: Chomutov (May 2002) and Sokolov (June 2002). Two new
pa-nels on the history of the Jewish communities in the Sokolov district
and Zábřeh are also being prepared.
Claude Lanzmann in the Jewish Museum in Prague
The international One World Film Festival was held
in mid-April 2002 in Prague. Every year this festival presents outstanding
documentaries on human rights, crisis areas and global problems. It
was organized by the People In Need Foundation at Czech Television and
part of its programming was financially supported by the Jewish Museum
and the Jewish Community of Prague. This year’s festival was attended
by the famous French writer and film director Claude Lanzmann. Several
of his films Why Israel (1973) The Shoah (1985), Sobibor, 14 October
1943 at 4 o’ clock (2001), Tsahal (1994) and The Visitor from the Empire
of the Living (1997) were screened as part of a retrospective block
, which was followed by a talk given by the director in the Archa Theatre.
On 16 April 2002, a discussion on the theme The Shoah in Art: Documentary
or Fiction was held with the director in the Jewish Museum’s Education
and Culture Centre. The meeting was attended by people for whom this
topic is still fresh in the mind, or of interest from an artistic or
humanistic perspective. It therefore brought together senior citizens,
for whom the wartime period is linked to strong personal experiences
and memories, and the younger generation, who were interested in the
form and treatment of the theme in Lanzmann’s films. Representatives
of the Jewish Museum and the Jewish Community of Prague met with the
director at a banquet held in his honour. Claude Lanzmann then went
on a tour around the Jewish Museum’s exhibitions.
New publication - The Boskovice Synagogue
To
mark the completion of the long-term reno-vation of the Boskovice Synagogue,
the Jewish Museum in Prague has prepared an illustrated guide to this
unique monument dating from 1639 and to its rich decorative paintings.
The murals from the late 17th and early 18th centuries, which were uncovered
and restored during the renovation project, represent the oldest and
most integrated example of the ancient eastern European tradition of
synagogue ornamen-tation in the Czech lands, the importance of which
goes far beyond the country’s borders. In addition to decorative and
symbolic paintings and inscription panels with prayer and blessing texts,
there have been findings of numerous valuable dedicatory and memorial
inscriptions bearing the names of individual painters, initiators of
synagogue ornamentation, donors and members of the local Jewish community.
The importance of the uncovered paintings and inscriptions for charting
Jewish history in Bohemia and Moravia is all the greater in that they
were made at a time that was marked by strong messianic hopes – a period
that to date has only been partly covered. The overall picture of life
in the Boskovice Jewish community has been considerably supplemented
and enriched by throwing light on the paintings and inscriptions in
its synagogue. The 64-page guide is in Czech and English and is accompanied
by almost 90 photographs that depict the synagogue in the past and the
present, together with local ritual objects from the collections of
the Jewish Museum in Prague, and document the course of the restoration.
The text deals with the history of the building and the symbolic paintings,
using data from archive materials to place them in the context of the
era in which they were made. The book can be ordered from the Jewish
Museum in Prague
Prominent visits
- 20 May 2002 – the First Lady of the United States,
Laura Bush with her daughter Jenny
- 3 June 2002 – representatives of the Latvian foundation for the support
of the Jewish cultural heritage of Vilnius
- 5 June 2002 – Ambassador of India to the Czech Republic Dr. Subrahmanyam
Jaishankar
Thanks
As we mentioned in Newsletter
1/2002, thanks to the support provided by the media for the Help
in the Search for Lost Neighbours project, the Jewish Museum in Prague
has managed to bring together many interesting and historically valuable
materials from the Holocaust period.
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