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Provenance research & Restitution
  

Artworks restituted from the collection of the Jewish Museum in Prague to their original owners or their legal successors




1991

Restituted to the original owner

095.351
A. Kurka, A Woman Knitting with a Dog, oil on wooden panel, 660 x 410 mm, signature and date LR: A. Kurka 27


1996

Restituted to the heirs of Bedřich Fritta
174.001
Departing Transport, (on the left the Hanover Barracks and Rampart)
soft pencil drawing, coloured by watercolour on yellowed paper from a sketchbook, 100 x 135, unmarked

174.002
Departing Transport with Loaded Wagon, soft pencil, brush and ink drawing on yellowed paper from a sketchbook, 100 x 135, unmarked, the word Transport D, K added in pencil above

174.003
Orchards by the Bakery in Terezín, watercolour on yellowed paper from a sketchbook 100 x 135, unmarked

174.004
Three Men with a Meat Cart, charcoal drawing coloured by watercolour, washed on yellowed paper from a sketchbook 100 x 135, unmarked, the word Meat added in pencil underneath

174.005
Three Figures Resting on Suitcases, pencil, brush and ink drawing on yellowed paper from a sketchbook, 100 x 135, marked on the right dole

174.006
Two studies, pen and black ink drawing in an oblong frame on hard white paper, sheet from a sketchbook, 143 x 200, unmarked

174.007
Three Figures in front of the Rampart Wall, pen and black ink drawing on hard white paper from a sketchbook, 143 x 200, unmarked

174.008
Sketch of a man standing in front of a group of people, pen and black ink drawing, 143 x 200, unmarked, sheet from a sketchbook

174.009
Preparatory study for the drawing Children’s Home, pen and black ink drawing, 143 x 200, unmarked, sheet from a sketchbook

174.010
Two sketches of male figures, pen and black ink drawing, 143 x 200, sheet from a sketchbook

174.011
Study for the drawing Hospital at the Cinema, pen and black ink drawing, 143 x 200, unmarked, sheet from a sketchbook

174.012
Study for the drawing Hospital at the Cinema, pen and black ink drawing, 143 x 200, sheet from a sketchbook

174.013
Study of women’s heads and figures, pen and sepia ink drawing, 143 x 200, unmarked

174.014
Portrait of an Old Woman, pen and sepia ink drawing, 185 x 120, unmarked, sheet from a sketchbook

174.015
Two studies of groups of figures, pencil drawing, 220 x 152, unmarked

174.016
Studies of figures in the transport, pen and black ink drawing, 290 x 203, unmarked, sheet from a sketchbook

174.017
Double-sided drawing, chamois sheet from a sketchbook, 290 x 203, unmarked
front: Old Woman, red chalk drawing
reverse: Several Figures from the Transport, red chalk drawing

174.018
Figurative study (elongated figure of a seated elderly person leaning his head against his left hand), red chalk drawing, 290 x 203, unmarked, sheet from a sketchbook

174.019
Double-sided drawing
front: Study of figures in the transport
reverse: Architectural study – Terezín ramparts
red chalk drawing, 290 x 203, unmarked, sheet from a sketchbook

174.020
People in the Cellar, charcoal drawing, 210 x 298, unmarked, sheet from a sketchbook

174.021
Peeling Potatoes, charcoal drawing, 210 x 298, unmarked, sheet from a sketchbook

174.022
Four sketches, pen and black ink drawing, 292 x 208, unmarked, sheet from a sketchbook

174.023
Two studies for Flood and Drum of Death, pen and black ink drawing, 292 x 206, unmarked, sheet from a sketchbook

174.024
Five studies, pen and black ink drawing, 210 x 290, unmarked, sheet from a sketchbook

174.025
Studies: Tower of Death and Vultures in Terezín, pen and black ink drawing, sheet from a sketchbook

174.026
Five sketches, pen and black ink drawing, 290 x 210, unmarked, sheet from a sketchbook

174.027
Seven studies, pen and black ink drawing, 290 x 210, unmarked, sheet from a sketchbook

174.028
Two sketches, pen and black ink drawing, 292 x 210, unmarked, sheet from a sketchbook

174.029
Study for the drawing Drum of Death, pen and black ink drawing, unmarked, sheet from a sketchbook

174.030
Four sketches, pencil drawing, coloured by watercolour, 206 x 287, unmarked, sheet from a sketchbook

174.031
Eight studies, pen and black ink drawing, 275 x 209, unmarked, sheet from a sketchbook

174.032
Three sketches and notes, pen and black ink drawing, 277 x 209, sheet from a sketchbook

174.033
Anatomical study and sketch for the drawing House of Prayer and Variety Show – black ink, 277 x 209, unmarked, sheet from a sketchbook

174.034
Departure of the Transport, charcoal wash, coloured chalk and watercolour drawing, 282 x 204, unmarked, sheet from a sketchbook

174.035
Taking Away the Coffins, brush and chalk drawing, coloured by watercolour, 282 x 204, unmarked, sheet from a sketchbook

174. 036
Empty Billets, charcoal and chalk drawing, 282 x 204, unmarked, sheet from a sketchbook

174.037
Scrubbing the Floor – study, charcoal and chalk drawing, 282 x 204, unmarked, sheet from a sketchbook

174.038
Wedding, charcoal drawing, 282 x 204, unmarked, sheet from a sketchbook

174.039
Polish Children (in a camp for children deported from Bialystok), pen and black ink drawing, 220 x 300, unmarked

174.040
Fantasy study, pen and black ink drawing, 220 x 300, unmarked,

174.041
Houses of Cards, pen and black ink drawing, 220 x 300, unmarked

174.042
Sketch, pen and ink wash drawing, 297 x 220, unmarked, 105/68

174.043
Study of a Seated Man, coloured pen and ink drawing, 297 x 220, unmarked,

174.044
Fantasy, brush and ink drawing, 220 x 297, unmarked

174.045
Old Men Prior to Deportation, coloured pen and ink drawing, 203 x 267, unmarked,

174.046
Study – Room, pen and ink drawing, 115 x 121, unmarked, sheet from a sketchbook

174.047
Study – pen and ink drawing, 183 x 120, unmarked, sheet from a sketchbook

174.048
Sketches, pencil drawing, 790 x 208, unmarked, sheet from a sketchbook

174.049
Typological study of men’s heads, pencil drawing, 215 x 115, unmarked

174.050
Study – Morgue, pen and black ink drawing, 198 x 143, unmarked, sheet from a sketchbook

174.051
Four sketches, pencil drawing, 220 x 115, unmarked

174.052
Figurative study, pencil drawing, 218 x 148, unmarked

174.053
Seated Woman in a Coat, watercolour, 235 x 202, sheet from a sketchbook

174.054
Arrival of the Transport, pencil drawing, 151 x 230, unmarked – disputed attribution

174.055
Caricature, pen and ink drawing on a slip of paper, 120 x 150, unmarked

174.056
Cavalry Barracks
Entrance to the Cavalry Barracks, pencil drawing
Two Lines in front of the Cavalry Barracks, pen and ink drawing, 297 x 225

174.057
Study of male figures, pen and ink wash drawing, unmarked

174.058
Hall IV, pencil drawing, 228 x 312, unmarked

174.059
Four studies (Drum of Death), pen and ink drawing, 310 x 219, unmarked

174.060
Actors, coloured pen and ink drawing, 218 x 297, unmarked

174.061
Prams, pen and ink wash drawing, 248 x 305, unmarked

174.062
Ghetto Gate, brush and ink drawing, 333 x 251, unmarked

174.063
Bakery Chimneys, coloured pen and ink drawing, 248 x 338, unmarked

174.064
Ghetto Gate, unmarked

174.065
Terezín Motif, brush and ink drawing, 250 x 332, unmarked

174.066
Life in the Yard, pen and black ink drawing, 325 x 248, unmarked

174.067
Fence outside the Madhouse, pen and black ink wash drawing, 325 x 250, unmarked

174.068
Portrait of an Old Woman, pen and black ink wash drawing, 320 x 250, unmarked

174.069
Prior to Deportation, pen and ink wash drawing, black ink, 323 x 250

174.070
Seated Woman, brush and ink wash drawing, 333 x 250, unmarked

174.071
Ghetto Gate, coloured charcoal drawing, 326 x 250, unmarked

174.072
Cavalry Barracks, brush and ink drawing, 248 x 325, unmarked

174.073
Courtyard, pen and blue ink wash drawing, 340 x 255, unmarked

174.074
Portrait of a Man, 340 x 250, brush and ink wash drawing, unmarked

174.075
Bakery in Terezín, pencil drawing, 337 x 250, unmarked

174.076
Profile of a Man’s Head, pencil drawing, 338 x 250, unmarked

174.077
Garden between the Ramparts, brush and ink wash drawing, 335 x 250, unmarked

174.078
Sketches, double-sided drawing, pencil and pen-and-ink drawings

174.079
Terezín Courtyards, pencil drawing, 335 x 250, unmarked

174.080
Study of the Terezín Barracks, pencil drawing, 325 x 250, unmarked

174.081
Track Leading to the Ghetto, brush and ink wash drawing, coloured by watercolour, 252 x 322, unmarked

174.082
Lining up of a Work Group, brush and ink wash drawing, 256 x 327, unmarked

174.083
Rest, brush and ink wash drawing, 248 x 338, unmarked

174.084
Contrasts – Theatre, pen and ink wash drawing, 241 x 348, unmarked

174.085
Theatre, pen and ink wash drawing, 250 x 350, unmarked

174.086
Billets, pen and black ink drawing, 287 x 377, marked in the upper left corner: Fritta

174.087
Men’s Billets in the Sudeten [Barracks], pen and black ink drawing, 378 x 285, marked in the lower right corner: Fritta

174.088
The Blind, pen and black ink drawing, 282 x 376, marked in the upper left corner: Fritta

174.089
The Madhouse, pen and black ink drawing, 373 x 275, marked in the lower right corner: Fritta

174.090
Transport Arriving in Terezín, pen and black ink drawing, 285 x 382, marked in the upper right corner: Fritta

174.091
Courtyard in the Sudeten Barracks, pen, ink and brush drawing, 285 x 382, marked in the lower right corner: Fritta

174.092
Three sketches, pen and ink wash drawing, 386 x 278, unmarked

174.093
Three sketches, pen and ink wash drawing, 390 x 275, unmarked

174.094
Study for the Variety Show, pen and ink wash drawing, 389 x 275, unmarked

174.095
Study, coloured pen and ink drawing, 386 x 275, unmarked

174.096
The Sluice, coloured pen and ink drawing, 389 x 275, unmarked

174.097
Three sketches, pen and ink wash drawing, 390 x 278, unmarked

174.098
Two sketches, pen and sepia ink wash drawing, unmarked

174.099
Two sketches, pen and sepia ink wash drawing, 388 x 273, unmarked

174.100
Three sketches, 390 x 275, pen and black ink drawing, unmarked

174.101
Two sketches, pen and black ink drawing, 390 x 276, unmarked

174.102
Two studies, pen and sepia ink wash drawing, 388 x 275, unmarked

174.103
Listeners, pen and ink wash drawing, 380 x 335, unmarked

174.104
Eight sketches for the drawing Film and Reality, pen and ink drawing, unmarked

174.105
Two studies, pen and ink wash drawing, 398 x 290, unmarked

174.106
Six studies, pen and ink wash drawing, 390 x 303, unmarked

174.107
Three sketches of the railway construction, pen and black ink drawing, 422 x 300, unmarked

174.108
Five sketches, unmarked, inscription on the back: Crossing reserved for Germans

174.109
Six studies, pen and ink wash drawing, pencil drawing, 300 x 441, unmarked

174.110
Eleven sketches, pen and black ink drawing, unmarked

174.111
Three sketches, pen and ink wash drawing, 435 (158) x 315 (182), unmarked

174.112
Three sketches, pen and black ink drawing, study for the drawing Life of a Prominent Person, 422 x 300, unmarked

174.113
Sketches, pen and black ink drawing, 297 x 410, unmarked

174.114
Four studies, pen and black ink drawing, 415 x 282, unmarked

174.115
Fantasy – Drum of Death, pen and black ink drawing, 438 x 310, unmarked

174.116
Four studies, pen and ink wash drawing, 440 x 300, unmarked

174.117
Study for the drawing Variety Show, pen and black ink drawing, 440 x 303, unmarked

174.118
Study of food queues, pen and ink wash drawing, 440 x 300, unmarked

174.119
Morgue, pen and ink wash drawing, 440 x 300, unmarked

174.120
Three sketches, pen and black ink drawing, 440 x 300, unmarked

174.121
Old Woman, pen and ink wash drawing, 455 x 334, unmarked

174.122
Barbed Wire Fence, pen and ink wash drawing, 445 x 340, unmarked

174.123
Bakery Chimneys, brush and ink wash drawing, 316 x 474, unmarked

174.124
Fantasy – Tower of Death, pen and black ink drawing, 465 x 338, marked in the lower right corner: Fritta

174.125
In the Yard, pen and ink wash drawing, 470 x 323, unmarked

174.126
Israel and Sarah, brush and ink drawing, 367 x 481, marked on the right dole: Fritta

174.127
Billets for the Elderly in the Cavalier [Barracks], pen, ink and brush wash drawing, 474 x 360, marked: Terezín 1943

174.128
Arrest, pen and ink wash drawing, 375 x 490, marked in the lower right corner: Fritta

174.129
Terezín Still Life, ink and brush wash drawing, 510 x 382, unmarked

174.130
Abandoned Luggage, pen and black ink drawing, 365 x 570, marked in the lower right corner: Fritta (Terezín 1942)

174.131
Illustration – Call for Help (Flood, pen and black ink drawing, 394 x 553, marked in the lower right corner: Fritta

174.132
Children’s Home, pen and ink wash drawing, 588 x 420, unmarked

174.133
Ghetto Rampart, brush wash drawing, 435 x 590, unmarked

174.134
Wartime Production Workshop, ink, brush and pen drawing, 430 x 585, unmarked

174.135
Ghetto, pen and black ink drawing, 590 x 435, marked on the right dole: Fritta

174.136
Fantasy – Flood, brush and ink wash drawing, 420 x 583, unmarked

174.137
Furniture Warehouse, pen and ink wash drawing, 415 x 590, unmarked

174.138
Night Transport in the ghetto, pen and ink wash drawing, 423 x 590, unmarked

174.139
The Only Means of Transport, pen, brush and ink wash drawing, 417 x 596, unmarked

174.140
Fantasy II, pen and black ink drawing, 400 x 583, marked in the lower right corner: Fritta

174.141
Fortune-teller, pen and ink wash drawing, 587 x 422, marked in the lower right corner: Fritta

174.142
Burial, pen and ink wash drawing, 439 x 600, unmarked

174.143
Café, pen and black ink drawing, 443 x 605, marked in the lower left corner: Fritta (Terezín 1943)

174.144
Film and Reality, pen and black ink drawing, 440 x 600, marked in the lower left corner: Fritta

174.145
Theatre in the Attic, 485 x 715, unmarked (Terezín 1943)

174.146
Transport Leaving the Ghetto, pen, brush and ink wash drawing, 484 x 708, unmarked

174.147
Billets in the Attic, pen, brush and ink drawing, 480 x 704, unmarked

174.148
View of Terezín, pen and ink wash drawing, 483 x 705, unmarked

174.149
Billets in a Former Shop, pen and ink wash drawing, 474 x 703, unmarked

174.150
Rest, pen, brush and ink drawing, 482 x 773, in the right margin: Fritta

174.151
Performance in the Billets, pen, brush and ink wash drawing, 482 x 741, marked in the lower left corner: Fritta

174.152
House of Prayer and Theatre, pen and black ink drawing, 475 x 765, marked in the lower right corner: Fritta

174.153
Starting Work, brush wash drawing, 522 x 713, marked in the lower right corner: Fritta

174.154
Life of a Prominent Person (Herbert Panger), pen and black ink drawing, 585 x 765, marked in the lower right corner: Fritta

174.155
Variety Show, pen and ink wash drawing, 570 x 845, marked in the lower right corner: Fritta

174.156
Arriving Transport, pen and ink wash drawing, 572 x 851, marked

174.157
Billets in the Attic, pen, brush and ink wash drawing, 574 x 852, marked in the lower right corner: Fritta

174.158
Life in Terezín, pen and ink wash drawing, 575 x 857, marked in the lower right corner: Fritta

174.159
Autumn, pen, brush and ink drawing, 570 x 850, unmarked

174.160
Stage Scenery for the International Commission, pen and black ink drawing, 570 x 845, marked in the lower right corner: Fritta

174.161
Park Reserved for Germans, pen and black ink drawing, 595 x 940, marked

174.162
Life and Death in the Yard, brush, pen and ink drawing, 610 x 870, marked

174.163
Transport Waiting to Leave for Poland, pen, brush and ink wash drawing, 703 x 970, marked in the upper right corner: Fritta

174.164
Moving Four Thousand Men in a Single Day, pen and black ink drawing, 700 x 960, marked in the lower left corner: Fritta

174.165
Fantasy – The End of Terezín, drawing ink coloured by watercolour and coloured chalk, 745 x 1055, marked in the lower right corner: Fritta

174.166
Sketchbook I, 35 sheets, white drawing paper, grey front sheet, 205 x 142, unmarked

1) Title page
2) Crowd Going Through the Street (charcoal and ink wash)
3) The First Courtyard of the Magdeburg Barracks (charcoal wash drawing, coloured with sepia)
4) Four Men in a Food Queue (pen and ink wash drawing ink)
5) Woman Sitting with her Luggage (coloured drawing ink)
6) Portrait of a Young Man in a Cap (brown chalk)
7) Portrait of an Old Woman (pen and ink wash drawing)
8) Portrait of an Old Woman Wearing a Headscarf (pen and ink drawing)
9) Two Children at the Entrance to the Courtyard (pen and sepia ink drawing)
10) Transport in the Streets (chalk drawing)
11) Man and Woman with Luggage on their Backs (charcoal drawing)
12) Portrait of a Girl Wearing a Headscarf (red chalk drawing)
13) Portrait of an Old Man in a Cap and Glasses (charcoal drawing)
14) Courtyard of the Magdeburg Barracks (charcoal drawing)
15) Seven Men Reading Newspapers (pen and ink wash drawing ink)
16) Chess Players (charcoal and ink wash drawing)
17) Woman with a Child by a Barred Window (charcoal drawing)
18) Crowd of people in the Barracks Yard (charcoal drawing)
19) Man and Boy Resting as the Transport Leaves (charcoal drawing)
20) Woman in a Long Corridor (black grease chalk)
21) Concert (black grease chalk)
22) Portrait of a Man (pen and sepia ink drawing)
23) Children Playing with a Ball (black grease chalk)
24) Two Trees in front of Terezín Gate (colour chalk)
25) Open Space Near the Bakery (colour chalk)
26) Man Washing Himself (pen and ink drawing ink)
27) Old Man with a Sack on his Back (pen and ink drawing)
28) Billets (pen and ink drawing)
29) Portrait of a Seated Man with Glasses (pen and ink drawing)
30) Man in Hat Writing (pen and ink drawing)
31) Study of a standing female figure (pen and ink drawing)
32) Two sketches – a) Transport; b) Portrait of a Man in a Cap
33) Fantasy – study of the town (pen and ink drawing ink)
34) Man with a Book (grease chalk)
35) Caricature of a Man with a Bird’s Body (pencil drawing on the back of the sheet)
(on the front: Room)

174.167
Sketchbook II, 42 sheets, yellow drawing paper, 290 x 205, unmarked

1) At the Magdeburg Barracks (pen and sepia ink drawing)
2) Ditches Outside the Ghetto (pen and ink drawing ink)
3) Ditches Outside the Ghetto (pen and ink drawing ink)
4) Gate by the Smithy with a Tree in the Background (pen and ink drawing ink)
5) View of the Mills (grease chalk drawing)
6) Study of a bush (grease chalk drawing)
7) Ramparts Outside the Town (grease chalk drawing)
8) Group of People in the Courtyard (charcoal wash drawing)
9) Group of People in a Vaulted Room with a Barred Window (brush and ink drawing)
10) Three sketches (brush and ink drawing)
11) Luggage Cart Pulled by Eight People (grease chalk drawing)
12) Two sketches with the inscriptions: Hamburg [Barracks] Burial, Hanover Fenster Schleusse. (grease chalk drawing)
13) Old Woman and Numbers (grease chalk drawing)
14) Three sketches: Dead Town; Wall, Houses, Perspective; Death, Child, Life (grease chalk drawing)
15) Ramparts
16) Four sketches: Street of Old Women and Men; Woman; Synagogue; Child and Building (grease chalk drawing)
17) Construction (pencil drawing)
18) Three sketches: Cavalier [Barracks]; Madhouse, (pencil drawing)
19) Butcher (pencil drawing)
20) Two sketches: Wall; Cavalier [Barracks] (grease chalk)
21) Three sketches: Man by Gate; Woman in Room; Interior
22) Two sketches: Portrait of a Woman + Food Queue
23) Two sketches: Trees; Composition with the inscription Photo
24) Two sketches from a composition of the town
25) View of the Town – Courtyards (grease chalk drawing)
26) Vaults (grease chalk drawing)
27) Two sketches of Buildings (grease chalk drawing)
28) Two sketches of Buildings (grease chalk drawing)
29) Staircase, Interior (grease chalk drawing)
30) Terezín Courtyards I (pencil drawing)
31) Terezín Courtyards II (pencil drawing)
32) Terezín Courtyards III (pencil drawing)
33) Terezín Courtyards IV (pencil drawing)
34) Terezín Courtyards V (pencil drawing)
35) Two sketches marked: a) K. Kalous, Grocer’s
b) Strasse, Atelier, Begrabnis, Junge Frau und Mann
36) Two sketches (pencil drawing)
37) Double-sided drawing – front: Workers (pencil drawing)
reverse: Portrait of an Old Woman (pencil drawing)
38) Workers
39) Double-sided drawing – front: Workers
reverse: Three Men Constructing Buildings
40) Men Constructing Buildings (brush drawing)

174.168
Sketchbook III, 23 sheets of thin white paper, 298 x 225, unmarked

1) Two sketches: Deportees Walking by the Rampart Wall, Crowd by a Barred Window (watercolour)
2) People Behind a Fence (grease chalk drawing)
3) Sketch for Fun in the Billets (grease chalk drawing)
4) Study for the drawing Stage Scenery for the International Commission (grease chalk drawing)
5) Work Group Leaving the Sudeten Barracks
6) Three sketches (grease chalk drawing)
7) Four sketches
8) Carrying Away the Coffins (grease chalk drawing)
9) Study for Theatre in the Attic (grease chalk drawing)
10) Still Life (grease chalk drawing)
11) Study for the drawing The Only Means of Transport (grease chalk)
12) Pencil sketch
13) Three sketches marked Schatten
14) Illegible sketch
15) Three sketches: Platz [Square], Kaffeehaus [Café], House 402
16) Five studies of Buildings on Terezín Square (pencil drawing)
17) Seven sketches
18) Six sketches
19) Five sketches (pencil drawing)
20) Four sketches (including Madhouse), (pencil drawing)
21) Six sketches
22) Six pencil sketches (including a study for House of Cards
23) Study of Human Heads (pencil drawing + pen and ink drawing)

174.169
Terezín Hospital in the Former Cinema, pen, brush and ink wash drawing, 585 x 865, unmarked

174.170
Makeshift Billets – Cavalier, pen and black ink drawing, 280 x 380, marked: Fritta


----

1998

Restituted to the heirs of Gustav and Marta Beer of Prague

027.189
Maxim Kopf, Portrait of a Young Lady, 1928, oil on canvas, 900 x 650 mm, signature and date LR: M. Kopf 28

027.200
Unknown artist, Portrait of a Man with a Light-Brown Moustache, oil on canvas, 710 x 500 mm, unsigned

027.307
Adolf Henke, Bust of a Man with Beard and Glasses, 1916, bronze relief / wood, 220 x 160 mm, signature and date LR


2006

Restituted to the heirs of Dr. Emanuel Herrmann and Margit Herrmann of Prague

079.573
C[arl] Vogl, Portrait of an Elderly Woman with a Prayer Book, oil on canvas, 655 x 520 mm, signature and date along the right rim: C. Vogl 1845

082.133
C[arl] Vogl, Portrait of a Man, 1845, oil on canvas, 655 x 520 mm, signature and date: C. Vogl 1845


Restituted to the original owner from the Kolben family

027.813
Adolf Wiesner, Portrait of Malvina Kolben, 1917, oil on canvas, 1140 x 915 mm, signature and date LL: Ad. Wiesner 1917

027.814
Adolf Wiesner, Portrait of Engineer Emil Kolben, 1920, oil on canvas, 1400 x 940 mm, signature and date LR: Ad. Wiesner 1920


2008

Restituted to the family of the late Dr. Emil Freund

Note:
Asterisked items are listed as Czech Republic’s cultural patrimony

60.540
Jan Slavíček, Sorrento (Still Life with Oranges and a Glass of Red Wine), 1938, watercolor on paper, 624 x 498 mm, signature and date LL: Jan Slavíček, Sorrento 1938

60.571
Emil Filla, Still Life with Platter and Wine Bottle, 1931, oil on canvas, 39 x 55 cm (frame: 59 x 75 cm), signature and date LL: Emil Filla 31

* 60.572
Václav Špála, Southern Landscape (Village on Adriatic Coast), 1923, watercolor on paper, 475 x 627 mm, signature at the LR corner: V. Špála 23

60.578
Jan Bauch, Sitting Nude, 1926, oil on canvas, 58.5 x 41 cm (frame: 72.5 x 54.5 cm), signature UR: Jan Bauch

* 60.581
Maurice Utrillo, Church of St. Peter at Montmartre, 1930, gouache on paper, 495 x 653 mm, signature and date LR: Maurice Utrillo, V. Noel 1930 [Christmas 1930]

60.588
Bořivoj Žufan, Big Bouquet of Wild Flowers, ca. 1925, watercolor on paper, 610 x 492 mm, signature LR: Boř. Žufan

* 60.608
Paul Signac, Steamboat on the Seine (Morning in Samois), 1901, oil on canvas, 74 x 92.5 cm (frame: 81.5 x 100 cm), signature and date LR: P. Signac 1901

* 60.580
Maurice Vlaminck, Road through a French Village, 1930’s, gouache on paper, 490 x 640 mm, signature LR: Vlaminck

* 60.618
Maurice Vlaminck, French Village in the Winter, 1930’s, gouache on paper, 516 x 644 mm, signature LR: Vlaminck

* 60.619
Maurice Vlaminck, Road through a French Village, 1930’s, gouache on paper, 485 x 610 mm, signature LR: Vlaminck

* 60.620
Maurice Vlaminck, View of a French Village with a Pond, 1930’s, gouache on paper, 485 x 570 mm, signature LR: Vlaminck

* 60.537
Václav Špála, Illustration for “Babička” by Božena Němcová, 1920, brash and ink drawing, watercolor on paper, 315 x 450 mm, signature and date LR: Š 20

60.623
Vladimír Sychra, A Nude, 1930, oil on canvas, 48.5 x 93.5 cm (frame: 67 x 112 cm), signature and date LL: V. Sychra 30

60.648
Vladimír Sychra, A Lady in a Red Mantilla, 1937, oil on canvas, 112.5 x 81 cm (frame: 126 x 95 cm), signature and date LL: Sychra 37

60.654
Martin Salcman, A Nude, 1931, oil on canvas, 55 x 46 cm (frame: 65 x 56 cm), signature and date LR: Salcman 31

60.661
Zdenek Rykr, Dancing in the Café, 1930, oil on canvas, 67 x 82.5 cm (frame: 74.5 x 88.5 cm), signature and date UR: Rykr 30

60.680
Oldřich Kerhart, Corsican Landscape, 1927, oil on canvas, 63 x 75 cm (frame: 67.5 x 79.5 cm), signature and date LL: O. Kerhart 1927

60.684
Alois Moravec, Two Woman at a Table (Chambre séparée), 1930, oil on canvas, 48.5 x 63 cm (frame: 73 x 87 cm), signature and date LL: A. Moravec 30

* 60.688
Cyprián Majerník, Don Quixote and Sancho Panza, after 1937, gouache on paper, 295 x 440 mm, signature LL: CM

* 60.689
Charles Dufresne, Three Nudes in a Garden, before 1924, gouache on paper, 322 x 417 mm, signature LR: Dufresne

* 60.691
Paul Signac, River Landscape (Lézardrieux), 1927, watercolor on paper, 272 x 434 mm, signature and date LR: P. Signac 1927

60.692
Bořivoj Žufan, A Lonely House in Woods, ca. 1925, oil on canvas, 65 x 100 cm (frame: 85 x 120 cm), signature LL: Bořivoj Žufan

60.694
Václav Špála, Summer Resort, 1936, oil on canvas, 65 x 81.5 cm (frame: 78.5 x 95 cm), signature and date LL: V. Špála 36

60.702
Jaroslav Grus, Road through a Autumn Landscape, 1934, oil on canvas, 80.5 x 99.5 cm (frame: 92 x 109.5 cm), signature LL: J. Grus

60.704
Vladimír Sychra, Portrait of a Young Woman, 1934, oil on canvas, 65 x 49.5 cm (frame: 80 x 65 cm), signature and date UR: Sychra 34

60.705
Maurice Utrillo, Le donjon rue des Veaux, Vire – Calvados, 1932, oil on canvas, 38 x 46 cm (frame: 60.5 x 68.5 cm), signature and date LL: Maurice Utrillo, V. 1932 – Vire (Calvados), Le donjon rue des Veaux

* 60.707
Maurice Vlaminck, Landscape, 1930’s, pen and ink drawing, watercolor on paper, 294 x 387 mm, signature LL: Vlaminck

* 60.708
André Derain, Head of a Young Woman, ca 1920, oil on canvas, 35.5 x 27.5 cm, (frame: 35.5 x 27.5 cm), signature LR: Derain

89.309
Otakar Nejedlý, Landscape with Ruins, ca 1925, oil on canvas, 48.5 x 58.5 cm (frame: 60 x 69.5 cm), signature at the LR corner: O. Nejedlý, undated

97.018
Oldřich Koníček, Fishermen in the Bay, 1916, oil on canvas, 55.5 x 66 cm, signature and date LL: Koníček 1916

60.672
Emil Pittermann-Longen, Factory at a River, 1926, oil on canvas, 58 x 60 cm, signature LR: E. A. Longen; date at the UL corner: 1926

27.653/01
Otto Gutfreund, Feather-Strippers, 1922, a terracotta model for a bronze sculpture, h. 32 cm, nesignováno


Resitutováno původnímu majiteli z rodiny Kolbenových / restituted to the original owner from the Kolben family

27.759
Hans Kolben, Still-Life with Tulips and Lemon, 1941, oil on canvas mounted on a board,
395 x 315 mm, signature LL: 19 H. K. 41

27.760
Hans Kolben, Still-Life with a Newspaper, Mirror, Smoking Accessories , 1941, oil on canvas
mounted on a board, 395 x 315 mm, signature LL: 19 H. K. 41

27.762
Hans Kolben, A Flower on a Window Sill, 1941, oil on canvas mounted on a board, 395 x 315
mm, signature LR: 19 H. K.41

27.763
Hans Kolben, View of a Village Church, 1941, oil on cardboard, 500 x 395 mm, signature
LL: 19 H. K. 41

27.764
Hans Kolben, View of Monte Carlo (according to a postcard), 1941, oil on cardboard, 545 x
655 mm, signature LL: 19 H. K. 41

27.765
Hans Kolben, View of a Valley with a Brook, 1943, oil on canvas, 650 x 795 mm, signature
LL: 19 H. K. 43

27.766
Hans Kolben, A Winter Landscape with a River, 1943, oil on cardboard, 610 x 825 mm, signature LR: 19 H.K.43

27.767
Hans Kolben, Summer in the Mountains, (1943), oil on cardboard, 595 x 830 mm, unsigned

27.768
Hans Kolben, Villa with a Park, (1940), oil on canvas, 655 x 895 mm, signature LL: H. K.

27.769
Hans Kolben, Alpine Landscape with a Cloister, (1940), oil on canvas, 825 x 695 mm,
unsigned

27.770
Hans Kolben, View of a Village by a Sea in the Alps, (1935), oil on canvas mounted on
cardboard, 465 x 635 mm, signováno LL: H.Kolben

27.771
Hans Kolben, View of a Vegetable Garden by a Village House, oil on canvas mounted on a
cardboard, 495 x 395 mm, unsigned

27.772
Hans Kolben, A Suburban Garden with Sunflowers, 1941, oil on cardboard, 500 x 400 mm,
signováno LL: 19 HK 41

27.776
Hans Kolben, Still-Life with Flowers in a Round Vase, (1940), oil on cardboard, 440 x 320
mm, unsigned

27.777
Hans Kolben, A Passage in the Mountains , (1940), oil on canvas, 460 x 560 mm, unsigned

27.778
Hans Kolben, Village Houses by a Sea, (1940), oil on canvas mounted on cardboard, 395 x
495 mm, unsigned

27.779
Hans Kolben, View of Karlovy Lazne in Prague, (1940), oil on canvas, 550 x 410 mm,
unsigned

27.780
Hans Kolben, View of a Village Church, (1940), oil on canvas mounted on cardboard, 500 x
685 mm, unsigned

27.781
Hans Kolben, View of Novotneho lavka from the Bellevue House on the Vltava River’s Right
Bank, (1940), oil on canvas mounted on cardboard, 495 x 395 mm, unsigned

27.784
Hans Kolben: Rocky Landscape, (1940), oil on canvas, 565 x 780 mm, unsigned

27.810
E. Čihák, Portrait of an Old Man form the Kolben Family, 1907, oil on canvas, 635 x 470 mm

27.811
E. Čihák, Portrait of an Elderly Woman from the Kolben Family, 1907, oil on canvas, 635 x
470 mm

73.001
Max Kopf, The Holy Grale, 1921, oil on canvas, 1430 x 1310 mm, signed LR: M. Kopf 21


2010

Restituted to the heirs of Hella Guth

1) 77.824/1
Hella Guth: Woman with Parrot (Frau und Papagei) (ca. 1928)
Woodcut on japan paper, sheet: 213 x 163 mm, print: 140 x 116 mm
Signed with monogram “HG” on the left in plate
Marked under print: “Frau und Papagei”; LR: “Hella Guth”; no date
Verso: on the back of the cardboard a sketch of a female nude plus written and numerical designations – PH: “f”; LR: “1h”
Matting: pasted on 441 x 300 mm cardboard
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue of the wartime Central Jewish Museum in Prague (hereinafter “the German Catalogue”): M 686
 
2) 77.824/2
Hella Guth: Girls at Window (Mädchen am Fenster), 1928
Woodcut on paper, sheet: 316 x 233 mm, print: 160 x 140 mm
Marked under print: “Hella Guth 928”
Verso: PH: “b”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
3) 77.824/3
Hella Guth: Girls at Window (Mädchen am Fenster) (1928)
Woodcut on japan paper, sheet: 277 x 214 mm, print: 160 x 140 mm
Marked under print: “Mädchen am Fenster, Hella Guth”; no date
Verso: PH: “c”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
4) 77.824/4
Hella Guth: Hella Guth: Girls at Window (Mädchen am Fenster), 1928
Woodcut on paper, sheet: 290 x 230 mm, print: 160 x 140 mm
Marked under print: “Mädchen am Fenster, Hella Guth”; no date
Verso: PH: “d”; LR: “5”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
5) 77.824/5
Hella Guth: Suburban Cabaret (Vorstadt – Varieté) (1920s)
Woodcut on paper, sheet: 390 x 350 mm; print: 288 x 244 mm
Marked under print: “Vorstadt – Varieté, Hella Guth”; no date
Verso: PH: “e”; LR: “2”
[see inv. no. 77.826/4]
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
6) 77.824/6
Hella Guth: Mother with Dead Child (ca. 1928)
Woodcut on paper, sheet: 458 x 258 mm; print: 290 x 172 mm
Marked with monogram “HG” in the lower left of plate; also marked LR under print: “Hella Guth”; no date
Verso: PH: “g”
[see inv. no. 77.826/11]
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
7) 77.824/7
Hella Guth: Landscape (Landschaft) (ca. 1928)
Woodcut on paper, sheet: 213 x 166 mm; print: 160 x 139 mm
Marked under print: “Landschaft Hella Guth”; no date
Verso: “PH: “M”
[see inv. no. 77.826/1]
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
8) 77.825/1
Hella Guth: Woman with Jug (ca. 1931)
Brush and ink drawing on paper, 292 x 228 mm
Marked LR: “Hella Guth”; no date
Matting: pasted on 494 x 321 mm paper
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
9) 77.825/2
Hella Guth: Head of Woman, 1931
Brush and ink drawing on paper, 354 x 248 mm
Marked L: “Hella Guth 31”
Verso: female nude – linear pencil sketch; LR: “12”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
10) 77.825/3
Hella Guth: Two Heads, 1931
Brush and ink drawing on paper, 396 x 394 mm
Marked LR: “Hella Guth 31”
Verso: LR: “13” (or “18” ?)
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
11) 77.825/4
Hella Guth: Rural Children (Bauernkinder), 1932
Brush and ink drawing on paper, 518 x 418 mm
Marked LL: “Bauerkinder”; LR: “Hella Guth 32”
Verso: LR: “9”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
12) 77.825/5
Hella Guth: Circus (early 1930s)
Brush and ink drawing on paper, 343 x 210 mm
Marked LL: “Cirkus”; LR: “Hella Guth”; no date
Matting: pasted on 442 x 302 mm paper
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
13) 77.825/6
Hella Guth: Seated Female Nude (early 1930s)
Brush and ink drawing on paper, 288 x 227 mm
Marked LR: “Hella Guth”; no date
Verso: LR: “15”
Matting: pasted on 440 x 300 mm cardboard
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
14) 77.825/7
Hella Guth: Lonely Guest (Einsamer Gast) (early 1930s)
Charcoal on paper, 205 x 242 mm
Marked LL: “Einsamer Gast”; LR: “Hella Guth”; no date
Verso: PH: “11”
Matting: pasted on 300 x 312 mm paper
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
15) 77.825/8
Hella Guth: Mother with New Born Child (turn of the 1920s and 1930s)
Charcoal on paper, 268 x 217 mm
Marked LL: “Aktstudie”
Marked LR: “Hella Guth”; no date
Verso: LR: “14”
Matting: pasted on cardboard 440 x 300 mm
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 

16) 77.825/9
Hella Guth: Head of Youth, 1931
Charcoal drawing on hand-made paper, 573 x 407 mm
Marked LR: “Hella Guth 1931”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
17) 77.825/10
Hella Guth: In the Tavern (Gasthaus) (turn of the 1920s and 1930s)
Charcoal on paper, 348 x 320 mm
Marked LL: “Gasthaus”; LR: “Hella Guth”; no date
Matting: pasted on 555 x 440 mm paper
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
18) 77.825/11
Hella Guth: Film Studio (Filmatelier) (turn of the 1920s and 1930s)
Charcoal on paper, 388 x 313 mm
Marked LR: “Hella Guth”; LL: “Filmatelier”; no date
Matting: pasted on 570 x 439 mm paper
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
19) 77.825/12
Hella Guth: “Allan Borg: End of the Second Act. Drawn by Helena Guth.” (graphic design for a poster) (1930s)
Brush and ink drawing and white tempera on paper, 226 x 442 mm
Unmarked
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
20) 77.826/1
Hella Guth: Landscape (Landschaft) (ca. 1928)
Woodcut on paper, sheet: 314 x 228 mm; print: 160 x 140 mm
Marked under print: “Landschaft Hella Guth”; no date
[see inv. no. 77.824/7]
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
21) 77.826/2
Hella Guth: Landscape with River, Bridge and Electricity Pylons, 1928
Woodcut on paper, sheet: 222 x 314 mm; print: 140 x 160 mm
Marked with monogram “HG” in the lower right of plate; date: “Weinachten 28”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
22) 77.826/3
Hella Guth: In Port, 1928
Woodcut on paper, sheet: 227 x 316 mm; print: 141 x 159 mm
Marked LR on reverse: “Weinachten 28”
Verso: ditto
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

23) 77.826/4
Hella Guth: Landscape with Trees and Sun, 1928
Woodcut on paper, sheet: 224 x 312 mm; print: 142 x 159 mm
Marked with monogram “HG” in the lower centre of plate
Verso LR: “Weinachten 28”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
24) 77.826/5
Hella Guth: Landscape with Bridge, 1928
Woodcut on japan paper, sheet: 283 x 202 mm; print: 160 x 140 mm
Marked on reverse: “Weinachten 28”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
25) 77.826/6
Hella Guth: Church on the Coast (Kirche am Meer) (ca. 1928)
Woodcut on paper, sheet: 293 x 237 mm; print: 160 x 138 mm
Marked under print: “Kirche am Meer”; LR: Hella Guth; no date
Matting: 341 x 260 mm
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
26) 77.826/7
Hella Guth: Japanese Women (Japanerinnen) (ca. 1928)
Woodcut on paper, sheet: 251 x 193 mm; print: 154 x 193 mm
Marked LL under print: Japanerinnen; LR under print: Hella Guth; no date
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
27) 77.826/8
Hella Guth: Mother (Mutter), 1928
Woodcut on paper, sheet: 287 x 234 mm; print: 205 x 160 mm
Marked LR under print: Hella Guth; LR in plate: “HG 1928”; LL under print: “Mutter”
Verso LR: “cena [price] K 55”; “3”; PH: “h”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
28) 77.826/9
Hella Guth: Two Girls (Zwei Mädchen) (ca. 1928)
Woodcut on japan paper, 232 x 123 mm (sheet cut off)
Marked LL: “2 Mädchen”; LR: Hella Guth; no date
Verso: PH: “i”; LR: “4”
Matting: pasted on 441 x 214 mm cardboard
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
29) 77.826/10
Hella Guth: Woman with Parrot (Frau mit Papagei) (ca. 1928)
Woodcut on paper, sheet: 218 x 194 mm; print: 139 x 116 mm
Marked LR under print: “Hella Guth”; LL: “Frau mit Papagei”; no date
Matting: pasted on 443 x 302 mm paper
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
30) 77.826/11
Hella Guth: Mother with Child (ca. 1928)
Woodcut on paper, sheet: 433 x 244 mm; print: 290 x 170 mm
Marked LL in plate: “HG”; LR under print: “Hella Guth”
Verso: PH: “K”
[see inv. no. 77.824/6]
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
31) 77.826/12
Hella Guth: End of Work (Arbeitsschluss) (ca. 1928)
Woodcut on paper, sheet: 412 x 321 mm; print: 340 x 270 mm
Marked LL under print: “Arbeitsschluss”; LR under print: “Hella Guth”; no date
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 

32) 77.826/13
Hella Guth: Evening in Park (Abend im Park), 1931
Woodcut on paper, sheet: 384 x 320 mm; print: 282 x 216 mm
Marked LL under print: “Abend im Park”; LR under print: “Hella Guth 1931”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
33) 77.826/14
Hella Guth: Suburban Cabaret (Vorstadt – Varieté) (turn of the 1920s and 1930s)
Woodcut on paper, sheet: 390 x 350 mm; print: 288 x 245 mm
Marked LL under print: “Vorstadt – Varieté”; LR: “Hella Guth”; no date
[see inv. no. 77.824/5]
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
34) 77.826/15
Hella Guth: On the Way to Church in Winter (Kirchgang im Winter), 1927
Woodcut on paper, sheet: 318 x 190 mm; print: 203 x 122 mm
Marked under print: “Kirchengang im Winter, Hella Guth, 1927”
Verso: PH: “o”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
35) 77.826/16
Hella Guth: In Front of Mirror (turn of the 1920s and 1930s)
Woodcut on paper, sheet: 316 x 323 mm; print: 218 x 201 mm
Marked with monogram “HG” in the lower right of plate; no date
Verso: PH: “p”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
36) 77.826/17
Hella Guth: Cannon Song (Kanonensong) (1930s)
Woodcut on paper, sheet: 494 x 338 mm; print: 193 x 158 mm
Marked dole under print: “Kanonesang Hella Guth”; no date
Verso PH: “qu”; LR: “11a”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
37) 77.826/18
Hella Guth: Disabled Veteran (Der Krüppel) (turn of the 1920s and 1930s)
Woodcut on paper, sheet: 300 x 256 mm; sheet: 436 x 350 mm
Marked with monogram “HG” in the lower left of plate; dole under print: “Der Krüppel, Hella Guth”; no date
Verso: PH: “r”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
38) 77.826/19
Hella Guth: Anecdote
Brush and ink drawing, tempera and pencil on paper, 302 x 410 mm
Unmarked / no date
Pencilled note in lower corner:
- Gentlemen, I wish to draw your attention to the fact that you can even hear this racket on the ground floor.
- Why then do you go all the way up?
Verso: PH: Guthová Helena Praha IV
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
39) 77.827/1
Hella Guth: Cikánka (1930s)
Watercolour on paper, 243 x 233 mm
Marked LR: Hella Guth; no date
Verso: LR: “24”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
40) 77.827/2
Hella Guth: Rustic Wedding (Bauernhochzeit), 1932
Watercolour on paper, 209 x 310 mm
Marked LL: “Bauernhochzeit”; LR: “Hella Guth 1932”
Matting: pasted on 314 x 460 mm paper sheet
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
41) 77.827/3
Hella Guth: Village (Dorf), 1932
Watercolour and gouache (perhaps tempera) on paper, 518 x 417 mm
Marked LR: “Helena Guth 32”; LL: “Dorf”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
42) 77.827/4
Hella Guth: Annual Market (Jahrmarkt), 1932
Watercolour on paper, 514 x 417 mm
Marked LR: “Hella Guth 32”; LL: “Jahrmarkt”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
43) 77.827/5
Hella Guth: Seated Farmer’s Wife, 1932
Watercolour and tempera (perhaps gouache) on paper, 520 x 418 mm
Marked LR: Hella Guth 32
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
44) 77.827/6
Hella Guth: In the Pub (Das Gasthaus), 1932
Brush and ink drawing, coloured with watercolour, on paper, 519 x 418 mm
Marked LL: “Der Gasthaus”; LR: “Hella Guth 32”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
45) 77.827/7
Hella Guth: Card Players (early 1930s)
Brush and ink drawing, coloured with watercolour, on paper, 332 x 405 mm
Marked LL: “Hella Guth”; no date
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 
46) 77.827/8
Hella Guth: Company on the Street (Group of Four / Prostitutes and Clients) (ca. 1932)
Brush and ink drawing, coloured with watercolour, on paper, 443 x 305 mm
Marked LL: “Hella Guth”; no date
Verso: LR: “23”
Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686
 

 

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