As part of the permanent exhibition in the Maisel
Synagogue in Prague, History of the Jewish in Bohemia and Moravia –
Part I – from the First Settlements until Emancipation, which informs
visitors about the history of Jews in the Czech lands from the earliest
times to the 18th century, the final part of the exhibition featuring
the robe and flag of the messianic pretender Solomon Molcho opened today.
Because these unique historical textiles place heightened demands on
the comprehensive protection of collection items, it has been necessary
to design a display case that will meet all parameters with regards
to security, a stable micro-climate, optimum lighting, and UV and IR
elimination. An area in the Maisel Synagogue was therefore set aside
and, under the supervision of specialists, designed so as to secure
the necessary parameters. Outside the vitrine we have installed heating
devices for securing precise temperature regulation, Art-sorp absorption
panels for securing optimum humidity, and special optic cables with
IR and UV filters for channelling light. The walls of the exhibition
space have been coated with a special paint that provides for a high
degree of light absorption; this facilitates and improves viewing conditions
by ensuring low intensity lighting. All heat from light sources is diverted
away from the display area so that the micro-climatic conditions inside
the exhibition are not influenced.
The overall solution represents the best variant
with a view to the protection of these unique historical materials without
the use of standard air-conditioning and lighting.
The robe and flag of the messianic pretender
Solomon Molcho
The collection of the Jewish Museum in Prague contains
the robe and flag (inventory nos. 32.754 and 32.755) that were once
used by Solomon Molcho – the Kabbalist, religious heretic and devotee
of David Reubeni’s messianic movement, born in Portugal around 1500
and burned at the stake in Mantua in 1532. These relics were housed
for many years in the Pinkas Synagogue in Prague (the earliest reference
dated 1628), from where they were sent in a rather poor state of repair
to the Jewish Museum. Although they were restored several times in the
past, it has not previously been possible to put them on long-term display.
Only now, after the completion of a specially secure vitrine that ensures
stable humidity and temperature conditions, can these relics be properly
preserved and exhibited.
Robe
The robe of Solomon Molcho is of fine linen and
is a light sandstone colour. It has a shirt cut and the body is tailored
from 28 parts that widen towards the ground. It is folded in small pleats
on the back and on the breast. The sleeves are folded in a similar way
and are almost as long as the robe itself. The neckline ends in a narrow
tucked collar, which fits tightly around the neck. Around the neckline
and on the sleeves are ball-shaped buttons, which are made from twisted
silk. A new lining of uncoloured cotton twill was provided when the
robe was last repaired.
Along the perimeter, on the sleeves and around the
neckline, the robe is adorned with a hem consisting of heavy embroidery
done with a loop and a back stitch using a golden yellow, now discoloured,
silk thread. The embroidery pattern of the hems and breast comprise
regular diamond shapes with lining material. The seams of the robe are
also emphasized by similar embroidery. Other embroidery runs down the
centre front and back of the robe. The decoration is very sparse and
the ornamental features are simple.
The educated circles to which Solomon Molcho belonged
used to wear a traditional type of clothing - long flowing cloaks, which
were once the privilege of kings and which Renaissance fashion attributed
to the most educated sections of the intelligentsia. The robe is evidently
some kind of prayer cloak which may have been worn by Molcho on his
entry to Rome. The style of the robe is close in character to the vestments
worn by the clergy at the time – it resembles the cut of a 14th or 15th
century alb or rochet, although it has wider and longer sleeves. The
decoration of the robe was customary for the time and corresponds to
late 15th century fashion. The decorative hems that end in seams represent
the surviving influence of Byzantine fashion, which emphasized golden
hems on the vestments of the royalty, clergy and higher social classes.
Flag
The banner-type flag has the shape of a cleft triangle
and consists of two pieces of yellow silk fabric. It is adorned on both
sides with seven- and eight-line (at the ends two-line) Hebrew inscriptions
which are embroidered with a full stitch in two shades of red silk.
Around the perimeter, the flag is bordered with tricolour silk fringes.
The inscriptions contain the following biblical
quotations:
Ps. 43:1; Is. 40:2; Ps. 96:11; 46:8; 79:6; 83:10,11;
Lam. 3:66; Ps. 83:2; 47:6; 94:1; 47:4; 9:21; 76:4; 90:15; 130:1; 140:4;
47:9; II Sam. 22:35; 22:38. Before Ps. 47:9 – The Lord is King, the
Lord was King, the Lord shall be King and ever.
Messianism. Solomon Molcho
Belief in the coming of the Messiah – one of the basic articles of faith
in Judaism – helped Jews overcome periods of persecution. According
to Biblical prophecy, the Messiah (from Hebrew: mashiah anointed) is
to be a descendant of King David who will redeem the Jews from exile,
restore the Kingdom of Israel, and bring about the final salvation of
humanity. In the messianic age, all nations will accept faith in the
Lord and live in harmony and peace.
In the course of history there have been several
charismatic figures who have aroused the false hope in the imminence
of redemption. The earliest known reports of messianic expectations
in the Czech lands date from the first half of the 13th century. Other
sources confirm the influence of Asher Lemmlein, who preached about
the Messiah in northern Italy and Istria at the very beginning of the
16th century. News about the messianic movement led by David Reubeni
(who claimed to be a representative of the ten lost tribes of Israel)
and the former Portuguese courtier Solomon Molcho (the son of Jews who
had been forced to become Christians) were enthusiastically received
in Prague. In 1525 the visionary Molcho returned to the faith of his
fathers, later fleeing to the Ottoman Empire in order to escape persecution
by the Inquisition. In 1529, after several months of studying the Kabbalah
in Salonika, he left for Italy, where he preached about the redemption
of Israel. In 1532 he accompanied Reubeni to Regensburg, Germany, to
see Emperor Charles V in a vain attempt to persuade him to support a
Christian-Jewish campaign against the Turks. Charles imprisoned them
and turned them over to the Inquisition. Molcho was burned at the stake
in Mantua at the end of 1532, while Reubeni died in a Spanish prison.
Some of Molcho’s personal belongings – notably two banners and a robe
– were transferred to the Pinkas Synagogue in Prague where they were
venerated as relics. Around the mid-17th century, there was a Czech
Jew who claimed to be the Redeemer, but there are no records of his
name and nothing is known of his life. The whole of the Diaspora was
profoundly influenced by the mystical messianic movement in the Ottoman
Empire which was led by Shabbetai Zevi and his prophet, Nathan of Gaza.
In 1666 Shabbatai became converted to Islam, subsequently losing the
vast majority of his followers. The most faithful disciples of the apostate
messiah – Shabbetaians – created a sect which in certain areas survived
until the beginning of the 19th century. A new wave of messianic enthusiasm
among Ashkenazi Jews was prompted by a pilgrimage to the Holy Land in
1700 which sought to hasten the coming of the Redeemer through prayer
and fasting.
Between May and June 1700, their leader, the ascetic
preacher Judah Hasid, was also active in Prague and it was under his
influence that the pilgrims were joined by Jews from Bohemia and Moravia.
The pilgrims later established a colony in Jerusalem which disintegrated
in 1720 after a prolonged material and spiritual crisis. Disillusionment
over the smashing of their hopes led Czech Jews to view subsequent undertakings
of this kind with scepticism. The activities of the false messiah, Jacob
Frank ( in the Ottoman Empire, Ukraine, Poland and, in 1773–86, in Brno)
therefore found little favour in the Czech lands, except among isolated
groups of Shabbetaians.