| Newsletter
1/2002
NEW
EXHIBITION - ROBERT HORVITZ: THE ESSENCE
An exhibition of work by Robert Horvitz entitled The Essence opened in the
Museum's Robert Guttmann Gallery in January 2002. This is the first
display of contemporary art to be held at this venue. The curator Michaela
Hájková aims to use this small gallery for the regular presentation of
selected works by contemporary artists that share reflections on their
Jewish identity. Robert Horvitz graduated from Yale, where from 1970-71 he
worked as an assistant drawing instructor. He has exhibited in America and
Europe at various intervals since 1970, as well as being involved with
theoretical work, editing and teaching. He moved to Prague in 1992, where
he still lives and devotes much of his time to drawing. Since 1999 he has
taught art history and Internet courses at the University of New York in
Prague.
Robert
Horvitz is one of those artists for whom the creative process itself plays
a primary role, with every-thing down to the smallest detail being
subordinate:
a fixed means of expression, rapid, almost unconsciously executed pen
strokes and constant use of the same paper type and format. The high
degree of economy and gestural virtuosity in his drawing style allows him
to utilize the act of drawing in a certain state of aesthetic unawareness,
in a "state of grace", as the artist himself has put it. By
exploring his "microcosm", he tries to find, and redefine for
himself, principles that are generally applicable. He does this via
records that resemble the entries in a scientific journal, fossilized
imprints of his state of mind; they are his reports from "grace space".
It is up to us how we perceive, read and interpret them.
The exhibition runs until 7 April 2002.
HELP IN THE SEARCH FOR
LOST NEIGHBOURS
Following on from the
Education and Culture Centre's project and exhibition Lost Neighbours (see
Newsletter 4/2001), the Museum has addressed the general public via the
Czech media with a request for assistance in gathering information and
material relating to the lives of Jews in Bohemia and Moravia. We aim to
bring together as many pieces of previously unknown information and
documents as possible, in particular from the period of the second world
war, a time that for many is still linked to memories of family and
friends.
This project was
launched in mid-December 2001 and has already produced significant results.
By mid-February 2002 we received a number of personal and official
documents, testimonies and family photos, as well as several historical
objects, from about 150 respondents. All the material is being gathered by
the Museum's Holocaust documentation department.
The Museum has recently
filed hundreds of photographs and various written documents, including
family correspondence, letters from the Terezín ghetto, concentration
camps and transport assembly points, and personal documents (issued both
illegally and officially). As only a small portion has actually been
donated to the Museum, the bulk of the material will be copied and
subsequently returned to the owners. For the purposes of the Museum and
donors, we are also searching for information on Bohemian and Moravian
Jews to which the above documents and photographs relate.
On the basis of the
tremendous response we have received so far, the project is expected to
continue for a few more months. Afterwards, all the material will be
inventoried, catalogued and included in the relevant collections of the
Museum.
Aside from the sheer
wealth of fascinating and often valuable material, what is significant is
the highly positive response we have received from the public. Almost 60
years since the end of the war, people still remember their former Jewish
neighbours and friends with love and affection and show interest in their
fate. In view of the fact that the number of people who directly witnessed
the war is on the wane, this project is one of the last opportunities to
preserve valuable records that otherwise may have been destroyed.
NEW ACQUISITIONS IN
2001
Last year the Museum's
collections were enriched by a number of high-quality artworks, most of
which were added to the collection of paintings, drawings and graphic art.
This collection is focused primarily on the work of modern Jewish artists
from Bohemia
and Moravia, which constitutes an important chapter in modern Jewish
culture. There are still certain gaps in this area which need to be
appropriately filled in.
One of the most
interesting acquisitions is a portrait of the painter Jules Pascin by the
Prague graphic artist Emil Orlik (1897). Of documentary significance is a
sketch of the interior of the Old-New Synagogue by Oldřich Blažíček
(1912). Noteworthy acquisitions also include a large group of drawings,
water-colours, pastels and oil paintings by Jewish modern artists from
1920s and 30s Prague. These include a large water-colour by Alfred Justitz,
a seascape by the famous exponent of the Paris School Georges Kars, and a
large painting (Church on the Lakeside) by the Prague expressionist
Bedřich Feigl. Work by the younger generation of Jewish artists in the
Museum's collection include drawings by Ender Nemes and pastels by Géza
Szóbel and Pavel Fleischmann.
Clearly the most
valuable acquisitions are works by two prominent Prague-based Jewish
artists of the post-war generation: two remarkable portraits by Pavla
Mautnerová from around 1950 and a large painting (Forest) from 1954 by
Robert Piesen, a leading exponent of 1960s abstract art. Another major
boon for the art
collection is a group of three expressionist drawings from 1970, '80 and
'83 by the Prague sculptor Aleš Veselý. It is especially pleasing to
note that, after a long time,
the Museum has managed to enrich its collection with a number of major
works of post-war and contemporary Czech art. In the future, attention
will remain focused on this area in the Museum's acquisition programme.
The Museum also
received two donations in 2001: a set of 5 pictures for the Jewish
calendar 5762 (2002-3) by the U.S. artist Mark Podwal and a group of 34
paintings by the Slovak-born artist Dr. Vavro Oravec which were exhibited
at the Museum in January 2001. Altogether, 70 works were added to the
collection of paintings, drawings and graphic art.
The collection of
Metal works was also enlarged, although to a lesser but still significant
extent (donations included three medals from the Jewish sports club
Hagibor and two spice boxes), as was the textile collec-tion (with the
purchase, for example, of a woman's veil dating from the second half of
the 19th century and most likely stemming from the Middle East).
A LIFE FOR ART AND TEACHING TOURING EXHIBITION OF WORK BY FRIEDL DICKER-BRANDEIS
In association with the
Simon Wiesenthal Center in Los Angeles, the Museum is currently involved
as one of the main lenders of material to a major exhibition of the artist
Friedl Dicker-Brandeis entitled A Life for Art and Teaching. This
exhibition project is exceptionally broad in scope, for it is the first
complete display of work by Friedl Dicker-Brandeis. This former Bauhaus
disciple is presented here not only as a "teacher of Terezín
children", but also, for the first time, as a unique artist whose
work arguably ranks among the best produced by the European avant-garde in
the inter-war years. A de luxe catalogue to accompany the exhibition has
so far been published in German, Czech, French and English.
The show first opened
in autumn 1999 in the Pallais Harrach in Vienna. After great success it
subsequently toured to Graz (Austria), Český Krumlov (Czech Republic),
Paris, Stockholm and Berlin. It was on display in Atlanta, Georgia,
between November 2001 and March 2002 and has since moved to Japan where it
can be seen at the Tokyo Fuji Art Museum until October 2002. The Museum
has loaned 9 oil paintings (out of a total of 37 works) for the show in
Japan. At the end of this year the final presentation is to take place in
Los Angeles.
EMPTY SITES IN MĚLNÍK
An exhibition entitled
Empty Sites was on display at the District Museum in Mělník between 17
October and 24 November 2001. This marked the culmination
of a year-long educational and cultural project of the District Museum
which was focused on Jewish culture and history. Its preparation and
realization was a collaboration between Ms. Renata Špačková from the
District Museum, the Jindřich Matiegka Elementary School and the
Elementary Art School in Mělník. Support was provided by the Jewish
Museum in Prague (a contributor to the exhibition) and its Education and
Culture Centre, as well as by the Terezín Memorial, the Mělník local
authority, the Terezín Initiative and the Open Society Fund Praha.
A number of events were
held as part of this project in the course of 2001. School children took
part in work-shops focusing on the celebration of the Sabbath and the main
Jewish festivals and on recent Jewish history. In addition, there were a
number of excursions to sites of former Jewish communities and monuments
in the region (e.g., Rychnov nad Kněžnou and the Terezín ghetto), as
well as tours of local Jewish cemeteries (e.g., Kralupy, Kostelec nad
Labem, Byšice, Liběchov, Všetaty, Litice, Spomyšl, Bosyně, Vojkovice).
Although the Mělník region had a relatively weak and scattered Jewish
settlement, it was in fact the birthplace of a host of prominent figures,
including the writer Vojtěch Rakous (1862-1935), the opera singer Emil
Pollert (1877-1935) and the painters Georges Kars (1880-1945) and Max Horb
(1882-1907).
In Želízy to this day there still stands the boarding house where Franz
Kafka used to stay.
The main part of the
exhibition itself was devoted to Holocaust victims from the Mělník
region. In certain cases, it was possible to piece together the fate of
entire Jewish families from extant photos and documents. The opening of
the exhibition was attended by some of the surviving members of these
families. The second part of the exhibition featured synagogue and ritual
objects from the Jewish Museum in Prague which originally stem from former
Jewish communities in the region.
The exhibition was
accompanied by a comprehensive catalogue with photographs of Jewish
cemeteries, tombstones and synagogues (now mostly demolished) in the Mělník
region. This catalogue is intended to fill in the "empty sites"
and to commemorate their former inhabitants.
The timing of the
exhibition was of symbolic significance. On the one hand, its opening and
closing dates marked the 60th anniversary, respectively, of the first
Jewish deportations and the first transport of Jews to Terezín. On the
other, the exhibition coincided with the major Jewish festivals Rosh ha-shanah
and Yom Kippur followed by Sukkot and Simhat Torah. These festivals were
therefore highlighted in that part of the exhibition dealing with the
Jewish religion.
NOW AVAILABLE
THE SHADOW OF THE SHOAH OVER EUROPE
This is a collection of
published lectures from a series that was presented in the Museum's
Education and Culture Centre from January 2000 to December 2001. It has
been compiled by Dr. Miloš Pojar and contains 24 papers by scholars from
the Czech Republic, as well as from France and Slovakia. Providing a
general overview of the Shoah (Holocaust) throughout Europe, individual
papers are arranged chronologically to highlight the order in which
European countries were occupied by Nazi Germany. The book ends with a
group of papers dealing with European countries (with the exception of
Vatican City and Ireland) that were neutral during the war. For
understandable reasons, there is no section on Great Britain, the only
European enemy of Nazi Germany not to be occupied.
The appendices to the
book include a letter of 16 September 1919 written by Hitler on the
request of the army officer Karl Mayer, in which he speaks of anti-Semitism
and the attitude of Germans towards the Jews. There is also a copy of the
Nuremberg Laws of 1935, the protocol of the Wannsee Conference and
excerpts from a speech that Himmler made to Gauleiters on 6 October 1943
in Poznan. The book is in Czech with certain appendices in German. pp 315.
To order the above
title, please contact the
Jewish Museum in Prague.
THE HISTORY OF THE JEWS
IN BOHEMIA
AND MORAVIA
Part I: From the First Settlements until Emancipation
A guide to the historic exhibition housed in the Maisel Synagogue in
Prague
Published in English,
this brand new catalogue is centred around the individual topics of the
Maisel exhibition and is accompanied by 105 reproductions of the rarest
exhibits, some of which are being featured for the first time in print,
including the actual signature
of Rabbi Loew (the Maharal). The main body of text is written by Dr.
Alexandr Putík and Olga Sixtová. This book follows on from previous
exhibition guides published by the Museum, including Jewish Customs and
Traditions (accompanying the exhibition in the Klausen Synagogue and
Ceremonial Hall) and History of the Jews in Bohemia and Moravia, Part II -
From Emancipation to the Present (accompanying the exhibition in the
Spanish Synagogue).
To order the above
title, please contact the
Jewish Museum in Prague
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