On 15 October 2002, the Jewish Museum reopened its exhibitions and the
Old Jewish Cemetery. Only the Pinkas Synagogue remains closed; necessary
repairs here are expected to take another few months (see below for details).
Museum operations were discontinued for over two months as a result of
the flood in August (for more information see the Museum’s website: www.jewishmuseum.cz/newsletter/a023.htm).
The flooding of basement areas caused rising damp in the naves of the
Museum’s historic synagogues, and it was not possible to display rare
items from the Museum’s collections in such unsuitable conditions. The
exhibitions were restored to their former scope only after dampness levels
had fallen and the affected areas had been dried and disinfected. The
Old Jewish Cemetery has a new pathway which is longer than the previous
one and leads through many picturesque parts of the cemetery. In addition,
regular concerts of classical music are once again being held in the Spanish
Repairs to the Pinkas
The reconstructed Pinkas Synagogue memorial to the victims of the Shoah
from Bohemia and Moravia reopened in 1996, after being closed for over
25 years. On the walls of this building are written the names of the 80,000
victims of the Nazi genocide. Unfortunately, this building suffered more
flood damage than any other Jewish site in Prague’s former Jewish Quarter.
The nave and south-west vestibule of the Pinkas Synagogue were flooded
with contaminated groundwater and mud to a height of 1.3 metres, and water
also seeped through to the wall separating the nave from the aisle. Also
damaged were the artificial marble of the 18th century bimah (platform)
and the aron ha-kodesh (Holy Ark). The underfloor heating system was completely
destroyed and the banister lights were seriously damaged.
The inscriptions on the affected walls have remained in place, but the
smooth, compact surface, which serves as a base for the letters, has been
hindering the drying process. Water has risen by absorption, and mould
has started to appear on the walls.
The inscriptions are also at risk due to the fact that binding material
and, in particular, salts have been washed off, and the structure has
been impaired. Although, according to expert assessments,
the Pinkas Synagogue is not in danger of collapse, the many cracks that
have appeared in the ground and first floors of the building, including
the vault, should not be underestimated. Structural problems are being
assessed on a continual basis and the existing pathway in the Old Jewish
Cemetery that leads around the Pinkas Synagogue has been replaced by a
The first emergency restoration work was carried out by Museum staff with
the co-operation of external experts immediately after the removal of
floodwater on 19 August. Expert staff cleaned the entire building by using
a combination of special substances.
In addition, they applied an anti-mould spray to the walls and, in certain
spots - particularly by the eastern wall where there are no inscriptions
- scraped off part of the plaster. The entire area was then immediately
dried by using ventilators. The whole area is undergoing a constant process
of dehumidification, with the accumulated water being taken away through
a pump. Special attention is being devoted to the bimah and Holy Ark.
An almost 20-strong team (led by climatologist Jan Červenák) was set up
at the beginning of September with a view to determining how restoration
work should proceed. This team consists of top experts from various specialized
fields, including restoration and conservation experts, diag-nosticians,
architects and construction engineers. All the work is being carried out
in consultation with the State Institute for Heritage Protection.
In October, probes were carried out in the walls in order to establish
the content of substances absorbed by floodwater. There has also been
an ongoing analysis of microflora, the results of which are being used
as a basis for treating the walls. Significant reductions in the amount
of water in the walls has been achieved by removing floor tiles, as well
as the water-saturated insulating layers and destroyed heaters underneath.
This work will be completed by the end of November. The floor will be
dug out as far as the granite base and this will be followed by an archaeological
investigation. In view of the rare nature of the inscriptions, all related
work is being carried out under special conditions with emphasis being
placed on preventing the spread of dust and on minimizing vibrations.
A new floor will be laid after new heaters have been installed; this must
fit in with the historical, aesthetic and functional qualities of the
site. A combination of clay slate and natural ceramics is currently being
considered; the same material should also be used for the gallery floor.
It is not possible, however, to completely envisage the course of the
repair work in the Pinkas Synagogue. This may be considerably influenced
by a negative development in the structural state of the building and
the future state of the inscriptions, too. In the winter period, the temperature
of the area will be set at 5 degrees Celsius in order to prevent water
freezing in the plaster. It cannot be said with any certainty, however,
whether it will be possible to save the inscriptions that have been impacted
by the water. As this will probably not become clear until next Spring,
the inscriptions have been photographically documented in detail, so that
they can be exactly reconstructed where necessary.
According to the current schedule, all reconstruction work should be completed
by next August, which is when the Pinkas Synagogue should be reopening.
By then, the banister lights in the Shoah memorial will have been installed
and visitors will be able to see the permanent exhibition of children’s
drawings from Terezín, which is located on the upper floor of the building.
The damage to the Pinkas Synagogue has brought about great public interest
and involvement in the Czech Republic and abroad. Although most of the
costs linked to repairs will be covered by insurance, the Jewish Museum
in Prague has received promises of financial assistance for related activities
- in respect of the Pinkas Synagogue from the US World Monuments Fund,
the Czech-German Future Fund and from the city of Hamburg. Donations have
also been received from individuals. Our thanks go to all those who have
contributed towards the restoration of the Pinkas Synagogue. Donations
may be sent to any of the Jewish Museum’s accounts:
- CZK: acc. no. 195414380237/0100
- US$: acc. no. 195420830257/0100
- EUR: acc. no. 510091870297/0100
Please state the variable symbol
number 1382002 when making a donation.
Director of the Jewish Museum in Prague
“Michal Singer: Paintings from 1999 to 2002” New exhibition in
the Robert Guttmann Gallery
Since May 2002, the Robert Guttmann Gallery (located in the Museum’s administrative
centre at U Staré školy 3, Prague 1) has undergone a number of building
alterations which have been designed to improve the climatic and heating
conditions of the exhibition hall. The standard radiators have been replaced
by a state-of-the-art overhead heating and cooling system. In addition,
we have connected a humidifier and dehumidifier device which is regulated
by a central computer system located in the basement.
The gallery was originally scheduled to reopen on 14 August 2002, but
this date had to be put forward as a result of the August flood, which
left the basement areas of the Museum’s administrative centre inundated
with water and caused damage to all the central air-conditioning facilities.
The gallery could not reopen until the damp walls of the exhibition hall
had been dried and air-conditioning units had been temporarily connected.
The gallery finally reopened on 6 November, on the occasion of the opening
of an exhibition of paintings by the Prague painter Michal Singer. The
exhibition is curated by Arno Pařík and runs until 26 January 2003.
Michal Singer’s paintings leave no-one feeling indifferent. They are immediately
recognizable, distinct, expressive, personal and compelling. Basing his
work on specific personal experiences, Singer tries to capture the original
inspiration in an unrestrained pictorial expression. The narrative content
of his paintings has its roots in specific events which, however, have
taken on a symbolic significance. They usually depict the figure of a
solitary pilgrim, wandering the city streets at night or through an imaginary
landscape. Singer is ‘seemingly’ not too concerned about the formal side
of his paintings; the only thing of importance for him is the potency
of the experience and the spontaneity of its expression. Singer’s paintings
are therefore reviving the old tradition of modernism, intensified by
an uncommon energy and visionary spirit.
After leaving high school, Michal Singer (b. 1959) read philosophy at
Charles University and was then employed as a stoker. After the fall of
Communism in November 1989 he worked as a graphic artist and art editor.
Since 1993 he has been active as a freelance artist. His published works
include a book of drawings (Co jsem viděl…), poetry and essays, drawings
for the arts columns of Literární noviny and illustrations of poetry by
Zbyňek Hejda. A collection of Singer’s poems and lithographs (Shell) was
published in 2001. More information on the exhibition is featured on the
Golem 2002 / 5763 Project
A festival of culture entitled The Golem 2002/5763 Project was held in
Prague from 3-27 October 2002. Established by the Argentinian Ambassador
to the Czech Republic Juan Eduardo Fleming, the project was inspired by
the poem El Golem by the renowned Argentinian Jorge Luis Borges. This
was translated into Czech in a student competition (won by Jan Jícha,
a Charles University student) and inspired various cultural events. The
entire project received the support of President Václav Havel whose introductory
remarks prefaced the project catalogue. It was organized by the Argen-tinian
Embassy, Charles University in Prague and the Jewish Museum’s Education
and Culture Centre in association with the Jewish Community of Prague.
This broadly conceived cultural project was launched with an opening of
paintings and sculptures by Argentinian and Czech artists at the Prague
Academy of Art, Architecture and Design. Visitors here also had an opportunity
to view the audio-visual programme Buenos Aires and Prague and the television
documentary Golem and Golems. Four classic films based around the Golem
were then screened at the National Film Archive cinema Ponrepo.
The Jewish Museum’s Education and Culture Centre hosted a one-day seminar,
The Golem in Religion, Science and Art, at which eight papers by Czech
and foreign participants and a number of discussions highlighted the Golem
phenomenon in the above-mentioned fields. The seminar was introduced by
Maria Kodama de Borges, the widow
of Jorge Luis Borges, who also participated in all the organized events.
The festival continued with a concert in the Jeru-salem Synagogue. The
first part included the world premiere
of Homage to the Golem, a work for piano and guitar with the voice of
J. L. Borges, along with other pieces performed by the Argentinian duo
Sivak and Müller. The final part comprised a performance of Sephardic
songs by Jana Lewitová and Vladimír Merta.
The Golem project concluded with a performance in the State Opera House
of the ballets Sinfonietta, From my Life and The Golem. This special evening
also marked the 75th birthday of Pavel Šmok, the artistic director of
the Prague Chamber Ballet and the choreographer of the ballets.
The Golem project met with considerable public interest and attracted
a great many visitors. The seminar in the Museum’s Education and Culture
Centre drew attention to the rich symbolism of the Golem - including its
religious and philosophical dimensions, science and art and contemporary
issues, such as robots, computers, the internet, cybernetics and artificial
intelligence. This highlighted the extreme relevance of the topics covered.
Next year, therefore, the project organizers will be publishing a collection
of seminar contributions with a view to conveying the subject matter to
the general public.
To no less an extent, the Golem project also contributed to an awareness
of the common cultural foundations of apparently distant countries such
as the Czech Republic and Argentina.
Miloš Pojar, Director of the
Education and Culture Centre of the Jewish Museum in Prague
Meeting of the Association
of Users of the Aleph Library System in the Jewish Museum
As the end of October, the Jewish Museum’s Education and Culture Centre
hosted an international meeting of the Association of Users of the Aleph
Library System (SUALEPH). Aleph is a library system that was developed
by the Israeli company ExLibris. The Jewish Museum Library is gradually
publishing catalogue entries on documents in its holdings and, in the
future, intends to make the catalogue available on the internet by using
the Aleph system. The SUALEPH association was founded in the Czech and
Slovak republics in the 1990s to encourage the sharing of implementation
experience and the establishment of common user requirements in relation
to the Aleph development company. The Prague meeting was attended by representatives
of leading Czech and Slovakian libraries. During a break in the meeting,
the participants had an opportunity to look round the Jewish Museum’s
The Jewish Museum has recently published a new guidebook entitled Jewish
Prague which contains 120 full-colour photographs. This book, written
by art historian Arno Pařík, provides a clear overview of the history
and topography of this ancient city and showcases its most important Jewish
sites. The text includes concise yet comprehensive information on the
history of the Jews in Prague with reference to individual historical
The list of sites featured in the book includes 15 synagogues and prayer
halls (of which four still serve their original use and five are part
of the Jewish Museum site), as well as eight Jewish cemeteries. There
is also information on a number of Jewish institutions and organizations,
including kosher restaurants.
The main focus of the book’s attention is the history and sites of the
Prague Jewish Town (Josefov). However, it also notes the existence of
seven former suburban Jewish communities (Libeň, Smíchov, Karlín, Vinohrady,
Žižkov, Michle and Bubny), including their synagogues and cemeteries.
The book is beautifully designed and comes in 6 language versions (English,
German, French, Italian, Spanish and Czech). It is available in all the
Museum’s retail areas and on its website at www.jewishmuseum.cz/shop.
American Jewish Literature
This collection of lectures, compiled by Hana Ulmanová from the Philosophy
Faculty of harles University, features a series of lectures given between
October 2001June 2002 at the Education and Culture Centre of the Jewish
Museum in Prague. Individual essays contain 9 lectures focusing on the
unique contribution of American Jewish literature in the 20th century,
with references to Isaac Bashevis Singer, Bernard Malamud, Saul Bellow,
Chaim Potok, Philip Roth and American Jewish female writers. A special
chapter is dedicated to American literature on the Holocaust. This collection
comprises 90 pages and is published in Czech.
Jewish Museum acquisitions
The art collection has been gradually supplemented on the basis of purchases
(from auctions and private collections) and donations. One outstanding
acquisition is a portrait of the French expressionist painter Chaim Soutine
by Mané Katz, probably dating from 1921. Also noteworthy are three sketches
by Leo Haas, which were made at the beginning of his career (1921-22);
until now, none of this artist’s early work has been represented in the
Museum’s collection. Donations have included several drawings and linocuts
by Karel Fleischmann, dating from the 1930s. Part of the collection has
been completed by drawings by Prof. Aleš Veselý, whose work will be showcased
in the Robert Guttmann Gallery in 2003. Another purchase is that of an
oil painting (”On the Roots”, 1999) by the contemporary artist Michal
The metal collection has been supplemented with a number of smaller acquisitions,
such as a silver filigree spice box of German provenance from the late
19th century, a Pesach glass and a gilt dish made of cased glass, which
stems from a 19th century Czech workshop. An interesting acquisition is
that of a cast brass Sabbath lamp, dating from the 18th century, which
has untraditional carved decorative features – in terms of shape and ornamentation,
the first of its kind in the Museum’s collection.
The textile collection has received a unique donation – a bride’s wedding
dress, dating from 1896, made of creamy white silk with floral appliqué.
Concert for volunteers
On 9 December, the Museum Director Leo Pavlát thanked the more than one
hundred volunteers who helped out in the Museum’s cleanup operation in
the wake of the flood in August. This expression of thanks was made on
the occasion of a special concert in the Spanish Synagogue in Prague,
at which Sephardic songs were performed by Jana Lewitová and Vladimír
- Deputy Foreign Minister of
the State of Israel Rabbi Michael Melchior
- Culture Minister of the City of Hamburg Dr. Daňa Horáková
- Their Royal Highnesses, the Grand Duke Henri and Grand Duchess Maria
Teresa of Luxembourg
- Representatives of the European Council of Muse-ums Lola Mitjas and
Ulla Keding Olofsson
- Madeline Albright, former US Secretary of State
- Arie Hahn, Secretary General of the Knesset
- The wives of participants of the Prague NATO Summit Meeting in Prague